Aniston to move closer to boyfriend? & other: June 2008

Friday, 27 June 2008

Huong Thanh

Artist: Huong Thanh

   Genre(s):
Jazz: Funk
   Jazz

Discography:

Dragonfly

Year: 2000
Tracks: 10

Moon and Wind

Year: 1999
Tracks: 10

Die Apokalyptischen Reiter

Monday, 23 June 2008

Chiodos Star Apologises To Fans

CHIODOS frontman CRAIG OWENS has apologised to fans for using "vulgar" comments during a live performance.

Owens was performing at England's Download Festival at the weekend (14Jun08) when he was heckled by a fan.

The American singer claims the audience member was making a phallic symbol with his hand during the band's performance.

After spotting the fan's actions, Owen responded to the fan: "What you want? To do that to my d**k? You're 11! I could get it out and it could reach you from here. But that would be illegal."

But he now regrets his actions.

He tells Gigwise.com, "If I made a remark like that in America, I'd have lost about 500 fans. Here in the U.K., you guys are really cool and find that sort of s**t funny. Thank God."

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Monday, 16 June 2008

John Lydon charged with hitting woman

Sex Pistols lead singer John Lydon has been charged for hitting a woman in Los Angeles last year.

Saturday, 14 June 2008

Ixindamix

Artist: Ixindamix

   Genre(s):
Techno
   Dance

Discography:

Chip jockey 7(EXPRCJ 07)

Year: 2005
Tracks: 7

Chip jockey 7

Year: 2005
Tracks: 7

Dreamz

Year: 2004
Tracks: 11

The pro cheese two

Year:
Tracks: 7

Real music and video

Izrael

Artist: Izrael

   Genre(s):
Reggae

Discography:

Nabij Faje

Year: 1985
Tracks: 18

Biada, Biada, Biada

Year: 1983
Tracks: 12

Erosion

Artist: Erosion

   Genre(s):
Metal: Thrash

Discography:

Mortal Agony

Year: 1988
Tracks: 10

Over the line of four albums and one EP released betwixt 1989 and 1995, Germany's Erosion always seemed like reluctant thrashers whose hearts actually belonged to hard-core. Led by vocaliser Chris Zenk, guitar player Stefan RÃ¶mhild, drummer Klaus Nowakowski, and supported by a Spinal Tap-sized parade of henchmen (including, at one prison term, Paragon bassist Jan BÃ¼nning and future Holy Moses guitar player Michael Hankel), it was perchance this want of focus that compromised the band's chances of success. By the firing of 1995's swan song, Down, Daniel Geiger had stepped in for the foregone Zenk, only non for long, as Erosion decided to break up a short time later.

Nick Lachey denies wedding rumours

Simpson And Wentz Marry In Fairy Tale Wedding

Ashlee Simpson and Pete Wentz exchanged vows in an intimate wedding ceremony on Saturday evening, their spokesperson has confirmed. The top-secret event was held at Simpson's parents' home in Encino, California and was attended by 150 guests, including Nicole Richie and Joel Madden, actor Donald Faison and the pop star's big sister Jessica Simpson, who served as maid of honor. Jessica's boyfriend, American footballer Tony Romo, was also present at the ceremony, despite reports the couple has split. Ashlee wore an ivory lace Monique Lhuillier gown, complete with a diamond necklace and earrings by Neil Lane. Father of the bride Joe Simpson, a former Baptist minister, performed the non-denominational service, and Fall Out Boy bassist Wentz's English bulldog, Hemingway, was the ring-bearer, reports People.com. Confirming the reports on Saturday night, the couple's representative says, "We're delighted to confirm that Pete Wentz and Ashlee Simpson were married this evening in front of family and close friends." The newlyweds celebrated their new status as husband and wife with an Alice in Wonderland-themed reception, with black beauty roses by Mark's Garden decorating each table. The wedding cake, by Sam Godfrey of Perfect Endings, featured a top hat, a tea pot, a stop watch and a pot of flowers on top. The marriage comes amid rumors Ashlee is pregnant with the couple's first child. Both stars, who have been dating since 2006, have repeatedly dodged questions surrounding the alleged pregnancy, refusing to confirm or deny the reports.

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Hank Mobley

Artist: Hank Mobley

   Genre(s):
Jazz

Discography:

Dippin'

Year: 2006
Tracks: 1

Reach Out

Year: 2005
Tracks: 6

Soul Station

Year: 1999
Tracks: 6

Vol 20 - Jimmy Raney

Year: 1979
Tracks: 21

Poppin

Year:
Tracks: 5

One of the Blue Note label's authoritative difficult bop artists, tenor saxophonist Hank Mobley remains somewhat underappreciated for his square, swinging dash. Any characterization of Mobley always begins with critic Leonard Feather's asseveration that he was the "middleweight champion of the tenor sax," meaning that his tonus wasn't as strong-growing and thick as John Coltrane or Sonny Rollins, merely neither was it as soft and cool as Stan Getz or Lester Young. Instead, Mobley's middle, "round" (as he described it) sound was controlled and even, apt over to subtlety kind of than intense displays of emotion. Even if he lacked the electric, mercurial qualities of the era's cracking tenor innovators, Mobley remained systematically strong passim virtually of his recording career. His solo lines were full of intricate rhythmical patterns that were delivered with spot-on preciseness, and he was no slouch harmonically either. As a charter member of Horace Silver's Jazz Messengers, Mobley helped inaugurate the difficult bop social movement: malarky that balanced sophistication and soul, complexness and earthy dangle, and whose loose anatomical structure allowed for extended improvisations. As a solo artist, he began recording for Blue Note in the latter half of the '50s, and hit his efflorescence in the first base half of the '60s with hard federal Bureau of Prisons cornerstones like Individual Station, No Room for Squares, and A Caddy for Daddy.

Henry "Hank" Mobley was born on July 7, 1930, in Eastman, GA, and grew up generally in Elizabeth, NJ. Several kinsfolk members played forte-piano and/or church building organ, and Mobley himself learned piano as a tike. He switched to the saxophone at age 16, initially modeling his style on players like Lester Young, Charlie Parker, Dexter Gordon, Don Byas, and Sonny Stitt. He shortly started playing professionally in the surface area, and built enough of a repute that trumpeter Clifford Brown recommended him for a job without having heard him play. That job was with Paul Gayten's Newark-based R&B band, which he joined in 1949, doubling as a composer. He deceased in 1951 and joined the house banding at a Newark nightspot, where he played with pianist Walter Davis, Jr. and backed some of the era's top jazz stars. That lED to a job with Max Roach, wHO hired both Mobley and Davis after acting with them; they all recorded together in early 1953, at one and only of the earlier roger Sessions to feature article Roach as a drawing card. Meanwhile, Mobley continued to gig around his home area, playing with the likes of Milt Jackson, Tadd Dameron, and J.J. Johnson, among others; he as well served two weeks in Duke Ellington's orchestra in 1953.

Mobley exhausted much of 1954 playing and recording with Dizzy Gillespie. He left hand in September to join pianist Horace Silver's mathematical group, which evolved into a quintet co-led by Art Blakey and dubbed the Jazz Messengers. Their groundbreaking ceremony first album for Blue Note, 1955's Horace Silver and the Jazz Messengers, was a landmark in the genesis of difficult bebop, with its advanced solos and bright, most funky rhythms. Mobley lED his first session for Blue Note, The Hank Mobley Quartet, in 1955, and recorded for Savoy and Prestige during 1956. In the middle of that year, the original lineup of the Jazz Messengers split, with Blakey retention the list and Silver forming a new group. Mobley stayed with Silver until 1957, by which time he had begun to record prolifically as a leader for Blue Note, complemental ashcan School albums' worth of material all over the adjacent 16 months. Some of his best sour, such as Hank Mobley and His All Stars and The Hank Mobley Quintet, was cut with a choice of one-time Messengers couple. Not all of his sessions were released at the clock time, only some began to appear as signification reissues in the '80s. Often composition his own material, Mobley was beginning to sincerely hit his stride with 1958's Peckin' Time, when a worsening drug problem resulted in an hold back that took him off the scene for a year.

Upon returning to music in 1959, Mobley orientated himself by rejoining Art Blakey in the Jazz Messengers for a little period. His comeback session as a leader was 1960's graeco-Roman Soul Station, near-universally acknowledged as his greatest recorded moment. Mobley cut two more high quality hard bop albums, Roll Call and Workout, over 1960-1961, as well as some other sessions that went unreleased at the time. In 1961, Mobley caught what looked to be a major interrupt when he was hired to supervene upon John Coltrane in Miles Davis' quintette. Unfortunately, the association was a stormy one; Mobley came under heavy criticism from the bandleader, and wound up departure in 1962. He returned to solo recording with 1963's No Room for Squares, often tabbed as one of his best efforts, before drug and legal problems once more put him forbidden of military commission during 1964. Energized and focused upon his render, Mobley recorded extensively during 1965, showcasing a more or less harder-edged tone and an insightfulness for catchy, modal-flavored originals that challenged his sidemen. At the same time, Dippin' establish a funkier soul-jazz sound starting to creep into his work, an approach that reached its peak on the infectious A Caddy for Daddy afterward that yr.

Mobley recorded steady for Blue Note through and through the '60s, offer flimsy variations on his approach, and continued to seem as a sideman on a generous number of the label's other releases (especially haunt cooperator Lee Morgan). 1966's A Slice of the Top launch Mobley fronting a slightly bigger band staged by Duke Pearson, though it went unissued until 1979. After newspaper clipping the straightforward Third Season in 1967, Mobley embarked on a brief term of enlistment of Europe, where he performed with Slide Hampton. He returned to the U.S. to record the straight-ahead Far Away Lands and Hi Voltage that year, and well-tried his hand at commercially oriented jazz-funk on 1968's Get through Out. Afterward, he took Hampton's advice and returned to Europe, where he would remain for the succeeding 2 years. 1969's The Flip was recorded in Paris, and Mobley returned to the States to star his final session for Blue Note, Cerebration of Home, in 1970 (it wasn't released until 10 days later). He afterward co-led a group with piano player Cedar Walton, which recorded the fantabulous Breakthrough in 1972.

Woefully, that would show to be Mobley's last major feat. Health problems forced him to retire in 1975, when he colonized in Philadelphia. He was hardly able to regular spiel his horn for dread of rupturing a lung; by the morning of the '80s, he was essentially an invalid. In 1986, he mustered up the energy to work on a modified base with Duke Jordan; however, he died of pneumonia non long after, on May 30, 1986. During Mobley's heyday, virtually critics tended to compare him unfavourably to Sonny Rollins, or brush off him for not being the groundbreaker that Coltrane was. However, in the years that followed Mobley's death, Blue Note concentrated federal Bureau of Prisons enjoyed a positivist reassessment; with it came a new appreciation for Mobley's extremely developed talents as a composer and soloist, rather of a centering on his shortcomings.

Con-Dom

Artist: Con-Dom

   Genre(s):
Other

Discography:

Some People Never Got the Chance

Year: 1999
Tracks: 2

Control Dominantion

Year: 1999
Tracks: 7

All In Good Faith

Year: 1996
Tracks: 13

Acts Of Faith

Year: 1994
Tracks: 3

Ralphi Rosario

Sharon Stone - Stone Flies To Be By Cancer-stricken Pals Side

SHARON STONE has reportedly cut short a trip to Sweden so she can spend time with a cancer-suffering friend.

The actress jetted to be by the side of her longtime pal Kristen, after discovering her cancer had gotten worse, reports the New York Daily News.

A source tells the newspaper, "Kristen has cancer and it spread. She's just in her early 40s. They're very close."

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Mad Men taps advertising

Not much has changed in the line of advertising � where you do what you have to in order to sell whatever it is you�re promoting.

It�s the same now as it was in the 1960s, where the award-winning and critically acclaimed series Mad Men, premiering Sunday on CTV at 10 p.m., is set.

Created by Emmy Award-winning writer and producer Matthew Weiner (The Sopranos), this dramatic program is based on the lives of ruthlessly competitive men and women working in the advertising world of 1960 Manhattan.

It depicts the sexual exploits and social mores of the most innovative yet merciless profession.

Mad Men unfolds around Golden Globe-winner Jon Hamm as Don Draper, one of the biggest ad men in the business as he calls the shots in the boardroom � and the bedroom � he struggles to stay a step ahead of the rapidly changing society and the young executives nipping at his heels.

In the debut episode, America�s favourite pastime � smoking � is under scrutiny as a Reader�s Digest story reveals that the habit is deadly. And Don is under pressure from his client Lucky Strike to spin the information in tobacco�s favour.

Though it�s not all about smoky boardrooms, booze and sex the way it was then, it�s still as cut throat, if not worse. Advertising is around us every day, it doesn�t matter where you are. Look around you.

From billboards to park benches, magazines to newspapers, radio to television, it�s everywhere. If we look at what we�re wearing from head to toe, you�ll find that we�re walking advertisements.

When you pick up that Guess purse or those Sean Jean sweat pants or that Calvin Klein suit � you�re selling just like any advertiser in the business.

In advertising it really doesn�t matter what you want, who you are or what you love � it�s all about �the sell.�

- Sandy Caetano has interviewed stars like Leanne Rimes, Lionel Richie, Paul Anka, Good Charlotte and more.

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